Symphonic Poem

Section III , a more detailed analysis of the major works of symphonic poem the theme of motivation and use .

第三节，较为详细的分析了主要交响诗作品中动机与主题的使用。

Richard · Strauss as a representative of late Romantic music composer , one of the symphonic poem , opera and art song master of creation .

理查·施特劳斯作为晚期浪漫主义音乐的代表作曲家之一，是交响诗、歌剧和艺术歌曲的创作大师。

Section VI describes the major work orchestrated symphonic poem means .

第六节，叙述了主要交响诗作品的配器手法。

On the Application of " Jazz Factors " to Gershwin 's Symphonic Poem

爵士乐因素在格什温交响音诗《一个美国人在巴黎》中的运用初探

Symphonic Poem of Art Style-On Contemporary Dutch Architectural Creation

艺术风格的交响诗&荷兰现代建筑创作探析

Exploration and Analysis of the Exerting of the Folk Song Theme in the Symphonic Poem " Gadameiiren "

《嘎达梅林》交响诗中的民歌主题运用方式探析

There can be a luxury in our bodily movements , as in the movement of a symphonic poem .

一首音韵和谐的诗歌有放佚的表现；我们身体上的动作也可以有放佚的表现。

My Notes On Liszt 's Symphonic Poem Les Preludes

李斯特交响诗《前奏曲》解读

" From Karl Marx to Our Own Days ", symphonic poem for solo voices , chorus and orchestra ( unfinished )

为独唱，合唱队和管弦乐队而作的交响诗“今后我们每天拥有卡尔·马克思”（未完成）。

The first of several of its main symphonic poem for a more detailed analysis , summarized some of the composer Sibelius common approach , which is the core of this article .

对其主要的几首交响诗进行了较为详尽的分析，总结出西贝柳斯常用的一些作曲手法，这部分是本文的核心部分。

Franz Liszt is an outstanding representative of the 19th century European Romantic Musicians , he pioneered a new music form , the " symphonic poem " .

弗朗兹·李斯特（FranzLiszt）是19世纪欧洲浪漫主义音乐家的杰出代表，他首创了交响诗这一新的音乐体裁。

Smetana , the representative of Czech Nationalistic Music , his works of symphonic poem make him one of the most significant composers in program music cross the world and history .

捷克民族乐派作曲家斯美塔那的交响诗创作使他林立于世界著名标题作曲家之列。

Section V , listed a number of representative symphonic poem rhythm-based , such as " night riding " rhythm-based , " horn " type of rhythm-based .

第五节，列举了交响诗中一些有代表性的节奏型，如夜骑节奏型、号角式的节奏型。

Liszt , born in hungary , originated a type of program music , the symphonic poem later known as a tone poem also , and " les preludes " is an example .

生于匈牙利的李斯特独创了一种标题音乐-交响诗。这种体裁后又被，称作“音诗”，李斯特的即为一例。

In addition of this , the shaping of music scene with static shading and dynamic picturing as well as technique expression of music form is similar to the modus operandi of Richard Strauss in his symphonic poem .

此外，埃尔加在作品之中运用的静态渲染与动态映画的音乐场景塑造与音乐行态表现手法，类似于理查·施特劳斯在其交响诗中惯用的手法。